MIRELA FIORESY
Visual Artist and Photographer

PORTFOLIO
VISUAL ARTS
PHOTOGRAPHY
LATEST ARTIST IN RESIDENCY
Water and Oil Don’t Mix: GlogauAir Artist-In-Residency Project
Mirela Fioresy is a visual artist whose work explores the invisible forces that shape how we see ourselves and each other. Through painting and mixed media she focuses on what brings us together and what keeps us apart, examining how our environments, beliefs, and emotions shape both personal experience and the wider collective consciousness.
For her GlogauAIR residency, Fioresy introduces “Water and Oil Don’t Mix” as both the title and the guiding principle of her project. She takes a fundamental lesson from painting – that oil and acrylic will never blend – and transforms it into a method for discovery. By layering these materials on a single surface, she allows their resistance to guide the outcome, watching pigments push, repel, and settle into surprising organic forms. This encounter becomes both process and metaphor, capturing moments of tension, separation, and uneasy coexistence.
NEWEST SERIES
Water and Oil Don’t Mix
Water and Oil Don’t Mix is both the title and the guiding principle of this project. Mirela Fioresy takes a fundamental lesson from painting, that oil and acrylic will never blend, and transforms it into a method for discovery. By layering these materials on a single surface, she allows their resistance to guide the outcome, watching pigments push, repel, and settle into surprising organic forms. This encounter becomes both process and metaphor, capturing moments of tension, separation, and uneasy coexistence.
Fallen
Fallen originates from the experience of growing up in a house surrounded by palm trees, where the sound of falling fronds was frequent, yet the moment of their descent was never seen.
The work explores this unseen interval between sky and earth, imagining transient forms that exist only in falling and dissolve upon landing. It recalls a state of wonder, when the unseen could be filled with curiosity rather than fear.
Events and Exhibitions
July 3-5, 2026
48 Hours Neukölln
Donau101. Donaustraße 101, 12043, Neukölln, Berlin, Germany
Independent Art Festival
48 Stunden Neukölln is one of the largest independent art festivals in Berlin. Artists from across disciplines present projects that engage with contemporary social themes, activating galleries, studios, cafés, shops, and unexpected spaces throughout the district.
June 14 – August 14, 2026
Watapana Tattoo & Art Gallery
Bismarckstraße 39, 10627 Charlottenburg, Berlin, Germany
DIP: Four Series, One Trace
Mirela Fioresy’s solo exhibition – DIP: Four Series, One Trace – presents a selection of Mirela Fioresy’s works from four series, all of which are fully or partially created with dip pen, chosen for their indirect dialogue with tattoo art.
ART NEWS
CURATED COLLECTION
Latest Curated Collection

Synapses 09 in Saatchi Art’s Best of March by Chief Curator Rebecca Wilson
‘Synapses 09’ featured in Saatchi Art’s “BEST OF MARCH” by Chief Curator Rebecca Wilson.
EVENTS AND EXHIBITIONS
What’s Next

Mirela Fioresy’s Solo Exhibition at Berlin: DIP. 04 Series, One Trace
Mirela Fioresy’s DIP Exhibition is currently open for viewing, from June 14 till August 14th, 2026. Solo Exhibition: Mirela Fioresy DIP: Four Series, One Trace Mirela Fioresy presents DIP: Four…
ARTIST-IN-RESIDENCY
Latest Artist-In-Residency

Water and Oil Don’t Mix: GlogauAir Artist-In-Residency Project
Mirela Fioresy is a visual artist whose work explores the invisible forces that shape how we see ourselves and each other. Through painting and mixed media she focuses on what brings us together and what keeps us apart, examining how our environments, beliefs, and emotions shape both personal experience and the wider collective consciousness.
For her GlogauAIR residency, Fioresy introduces “Water and Oil Don’t Mix” as both the title and the guiding principle of her project. She takes a fundamental lesson from painting – that oil and acrylic will never blend – and transforms it into a method for discovery. By layering these materials on a single surface, she allows their resistance to guide the outcome, watching pigments push, repel, and settle into surprising organic forms. This encounter becomes both process and metaphor, capturing moments of tension, separation, and uneasy coexistence.



